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A recent forum post by blatanville:
ah, well, just a thought...good luck finding it!
Read More... |
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 “2RuleFilter” is a self-resonant moog type filter that allows the filter cut-off frequency to be controlled manually, or by LFO, or by an envelope follower. It has a interresting feature called “scrambler” that plays filtered signal randomly depending on the selected beat. The “mix” knob mixies wet and dry signals, The “volume” knob is for setting the output volume level. The”Bit crusher” produces hard sound. Using its scramble feature you can maintain the rhythmic, choppy, buffered and tempo sync output.
Feature:
* High Pass, Low Pass, Band Pass filter
* Modulation of filter cut-off frequency by LFO (tempo-sync), manuallly or envelope follower(reversable)
* Bit crusher (16bit to 1 bit)
* Scrambler that devide one measure to different time intervall and plays beats randomly.
* Mix ballance in between dry(input signal) and wet(filtered and bit crushed).
* Sensitivity that allows the filter cut-off frequency be changed from roughly to smoothly. This effect is the same of parameter smoothing.
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| PWNED! By: blatanville, spiritofhouse, shamanix, hendricx, snez, brand0 |
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 Abyss is a simple synthesizer effect intended to be inserted on your bass drum channel. While allowing the original signal to come through untouched, it adds a secondary layer of tunable, low end bass synth. This is an easy way to add controlled low end to your bass drum without obliterating it with an equalizer. Includes lowpass filter, envelope and waveform selector for shaping (5 waveforms). |
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 Aeiou is a vocal filter - its purpose is to apply the spectrum characteristics of the mouth to the input signal by filtering it. By applying the effect to rich signals (saw or square oscillations) it gives the illusion of a human who is sustaining a vowel such as 'a' ,'e' ,'i', etc.
The effect parameters are:
The most important is 'vowel'.
'Size' can be used to spread the output bandwidth.
'Slope' can be used to give some brightness to the result. Technically it is increasing or decreasing the filters gain on the frequency axis.
'Peaking' is a minor parameter. It can be used to increase the filters resonance but it will also reduce the bandwidth.
When 'Smooth' is set to 0, the vowel transitions are direct, when set over 0 they are smoothed.
The 'mix' knob adjusts the amount of wet signal at the output. |
| PWNED! By: blatanville, blazemc, astro, shamanix, brand0 |
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 AMT-1 is a quad multi-filter that can work like a sequencer.
Features:
4 parallel multi-filters (LP, HP, BP, Notch, Peak).
Each filter's parameters can be sequenced using up to 8 presets.
Presets can be chained with morphing. |
| PWNED! By: blatanville, BroderYon |
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 AntiAlias filters out frequencies above the Nyquist frequency by oversampling then shelf filtering with a FIR filter.
Features:
Stereo Input and Output.
32 Bit Floating Point Audio Engine. |
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 Auto-Filter will perform typical Wah effect on drums, synths or any pecussive sound you like to feed in. Basically, it's designed to combine the analogue-style effect and an deadly easy-to-use graphical user interface together. |
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 a kind of auto filter |
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 auto-wah circuit . |
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 Band Pass Plus Filter, also called a Peaking filter. Based on the BP+ filter in the Korg EMX, this is basically a band pass filter that allows the unfiltered signal to be mixed back into the output. Includes a cutoff LFO. |
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 BiFilter is a high-end quality stereo filter module for VST. It uses a high precision "direct form 2" filter model with a ripple less than 1dB. It supports linear behaviour over the whole frequency range from less than 20 Hz up to 20000 Hz and brilliant, controllable resonance.
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| PWNED! By: blatanville, Jhopf124, nathel, mef, shamanix |
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 Nachfolger des BTS LFO Filter V1 und V1.1
Filtertypen:
Low Pass
High Pass
Band Pass
Band Reject
Peak
Betriebsarten:
12 dB
24 dB
LFO:
freie Speed/BPM Eingabe bzw. zum Host synchronisierbar
Sin, Saw, Ramp, Triangle und Square
Cutoff via Mod Wheel steuerbar |
| PWNED! By: blatanville, nathel |
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 Voweleriser is a vowel filter with X/Y control. |
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 breakdown is a filter effect with an internal variable length step sequencer. it allows you to select the type of filter, cutoff and resonance for each step, as well as start, end, and sequencer modes for a wide variety of effects. breakdown can be hand set to create wah wah, gate, and wobble effects, or use the patch randomizer for some intense audio mangling. version 2.0 is not reverse compatible with 1.5 patches, so be careful when installing. |
| PWNED! By: blatanville, MIDIManNI, synthgeek |
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 Breather is a cyclically sweeping filter effect, useful for adding unpredictably swooshy noises to your compositions.
Features:
• From 1 to 4 active variable-cutoff resonant filters offering 12dB/octave lowpass, highpass, bandpass, and notch modes as well as a 24dB/octave lowpass mode.
• Tempo selectable from 1 to 250 BPM. Filter frequency sweep range adjustable from 20Hz to 10KHz.
• Filter sweep pattern repeats from 1 to 64 times, randomizing after the specified number of repeats.
• Compact and straightforward custom GUI. |
| PWNED! By: blatanville, MarsHottentot |
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 A dual-function plug-in. Its primary job is to serve as a bandpass filter, with sliders which enable a quick visual reference to the size of the frequency band being passed through. However, by reversing the sliderpositions, BugPass will also serve as a notch filter, eliminating frequencies between the sliders while leaving the remaining frequencies intact. |
| PWNED! By: PTV, Moseph |
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 A light and open source version of my plugin Bugpass. The filter kernel is significantly shorter. This result in less step filters, but also in a very low CPU usage of only around 0.5% at least on my machine. |
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 Simple Butterworth Lowpass. A Butterworth Highpass is also available. |
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 bx_cleansweep is a new Hi-Pass filter and Lo-Pass filter plug-in from Brainworx, introducing the new "Anti Crush Technology":
Analog style filter curves without the typical Nyquist problems, in a new great sounding filter design (taken from our pro mastering EQ bx_digital V2!)...
Ffirst order filters (6dB) guarantee an extremely musically sounding filter set, and unique joystick control (taken from bx_hybrid) gives you fast and intuitive control.
bx_cleansweep is the plugin that should go into EVERY mix channel as the first plugin. This way you can filter out any unwanted hi-end and lo-end, and the result is a clean and tight mix.
Ever thought about why there are Hi-Pass and Lo-Pass filter in EVERY channel of the most expensive analog consoles (SSL, NEVE, etc.), but why most EQs are missing this feature?? |
| PWNED! By: blatanville, pattonfreak1, snez |
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 LFO controlled filter and pan. |
| PWNED! By: blatanville, aymat, BroderYon |
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 to adjust the filtercurve, click the “X” button and drag the curve with your mouse |
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 The Classic Auto-Filter is an analog modeled four-pole filter with resonance control. It can be used for creative effects like auto-wah-wah and filter sweeps, as well as a fixed filter for equalizing purposes. The filter is selectable between low-pass, high-pass, band-pass and band-reject (notch). The filter cut-off frequency can be modulated from the envelope follower and the LFO. |
| PWNED! By: , blatanville, pattonfreak1, robojam, MIDIManNI, West, Auan, BroderYon, duckett, exi |
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 CombOver VST is a pitch-detection-modulated set of 5 comb filters with a sound reminiscent of my old Narcissus + Echo and Dirty Sanchez fx, but actually controllable!
CombOver VST is an FSU effect based on Comb Filters. Unlike a normal comb filter effect CombOver is trying too hard to cover up the naked pate of boring audio. Unlike those old FSU fx this one is understandable, programmable and doesn't explode with feedback. But similarly otherworldly, wet or electric, exploding or glitchy and twitching sounds are possible with CombOver. |
| PWNED! By: blatanville, 133crazydirector |
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 Coyote Wah is a VST plugin that implements high-quality sweeping resonant-filter (wah-wah) effects. Advanced audio processing algorithms produce a very clean output, free of artifacts.
Some of the unique features of the Coyote Wah are:
* Emulation of 4 popular wah-wah pedals
* Supports presets and automation
* VU meter
* Controllable by an external Midi controller (eg. pedal)
Coyote Wah should be compatible with any audio application that accepts VST plugins. It has been tested with several of the more popular applications. |
| PWNED! By: blatanville |
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 Crayon Filter is a multi-band filter plug-in. The band controls allow you to add a type of filter to the output of the signal. You can engage up to five filter types at once (one of each type). Low Pass attenuates high frequencies, giving your sound a “dull” feel. Band Pass attenuates both above and below the cutoff frequency, for a “thin” or “nasal” sound... |
| PWNED! By: blatanville |
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 CrossWarp is a lowpassfilter which copies the signal which it filters to the other stereo channel instead of removing it. |
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 Decimator is a little effect plugin that consists
of a bit quantizer and sample rate reducer
followed by a LP/HP filter. |
| PWNED! By: |
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 True stereo multi mode filter with LPF, BPF, HPF, Notch and Peak filters, all available in both two and four pole flavours
There is a multi shape tempo syncable LFO, routable to both the cutoff and resonance simultaneously. Full midi gives you instant acess to all the controls. Add in the Exponent XY Pad and you've got more fun then should be legal! |
| PWNED! By: , blatanville |
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 Dynamic Multimode Filter & Autowah |
| PWNED! By: , blatanville |
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 Born from the filter section of the EffEm synth. Effex will deliver host synced rythmic mayhem to your loops and samples.. |
| PWNED! By: MarsHottentot |
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 This plugin reproduces the module Eight-Octave Filter Bank carried out in 1971 by EMS. Needs PluggoRuntime (free from Cycling 74) in order to run. |
| PWNED! By: povov |
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 EXT Filter is designed for use with modular hosts such as EXT or Tracktion, The controls are very simple, It has no modulators but can be modulated via the host, There are ten types of filter to choose from including four low-pass two hi-pass two band-pass and two band-reject, It also contains another filter which acts like a very basic distortion. |
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 Filt-Eq-R is a 3-band filter/eq/crossover plugin made to enhance guitars, for a smooth, scooped-out sound. |
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 - 16 different analogue sounding filter types
- Asymmetric filtering (303 like)
- Filters parallel or serial
- Multitap surround delay
- Infinite recursive feedback delays!
- Routable Envelope followers
- Syncable, routable LFOs with 17 shapes
- BPM sync to host
- Presets incuded
the new version is available at http://www.tone2.com |
| PWNED! By: blatanville |
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 Basically, it is a normal state-variable filter. The twist is that the filter frequency can be controlled by MIDI note number in addition to the normal knob-twisting action. You instansiate it as an insert effect (or send, if you feel daring), then assign a MIDI track to it the same way you would to, say, a VSTi or other MIDI-capable effect. You can then "play" the filter with your MIDI keyboard. |
| PWNED! By: blatanville, povov |
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 A stereo filter controlled by a 16 step sequencer.
Try it out on a sustaining synth pad sound. |
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 Stereo Filter Sequencer
Features:
4 Host Synced/Manual 1-16 Step Sequencers with Level Scaling and Invert Controls
Step/Interpolation Control
2 SV Filters with Selectable Decay Rates
Independent Mono/Stereo Processing of Frequency and Resonance
4 ADSR Envelope Generators with Host Sync or MIDI Triggering
Switchable High/Low Frequency Display (not visable above)
Host Synced/Manual BPM Selection
Input Level Controls with Overload Indicators
Free Run/Host Locked Operation
Default Position Reset on all Sliders and Rotary Controls
Partial Automation
User Assignable Automation Capability |
| PWNED! By: blatanville |
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 Formant filter is a mono VST effect that uses a bank of five band pass filters to put the formant peaks from one sound onto another. It includes vowel presets but you can input your own values using the custom formant mode. There is an LFO to control the formant shift and also a slider which has a range of two octaves. This slider responds to CC#1 (mod wheel). |
| PWNED! By: blatanville, shamanix |
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 Ohmforce's most affordable plugin offers, as you would a expect, a unique palette of sounds, combining lowpass filtering and analogue crunch with a bundle of special features. |
| PWNED! By: tgersic, obstgegenrechz, swonderme, blatanville, robojam, MIDIManNI, pangrus, povov, BroderYon, synthgeek, exi, snez |
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 Stereo MultiFilter
for live performance |
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 Free filter. |
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 Gatecomb is a stereo comb filter. The frequency of the comb filter is controlled by an AHDSR envelope which is either triggered in sync with the sequencer or by the the incoming audio reaching a certain threshold. There is also a filter to control the sounds (which can sometimes be very brutal). When processing a stereo track, the right fiter can be offset by octaves or semitones. |
| PWNED! By: blatanville, nathel |
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 GBand is a band-pass filter. It removes frequencies from the input that are above or below the specified cut-off points.
GBand uses a high- and a low-pass filter in series to remove the unwanted frequencies. It is equivalent to using GHi and GLow, one after the other. |
| PWNED! By: blatanville, robojam, MIDIManNI, nathel |
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 GHi is a resonant high-pass filter. It is used to remove all frequencies from a signal below a given cut-off point.
Increasing the resonance of the filter causes the frequencies around the cut-off to be boosted.
Resonance can create large peaks in the output. Because of this, the GUI features a peak display showing the maximum peak output level. The peak display is reset by clicking on it. |
| PWNED! By: blatanville, robojam, MIDIManNI, nathel |
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 GLow is a resonant low-pass filter. It is used to remove all frequencies from a signal above a given cut-off point.
Increasing the resonance of the filter causes the frequencies around the cut-off to be boosted.
Resonance can create large peaks in the output. Because of this, the GUI features a peak display showing the maximum peak output level. The peak display is reset by clicking on it. |
| PWNED! By: blatanville, robojam, MIDIManNI, nathel |
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 By mdsp of Smart Electronix
Greed is a mix between a 16-step sequencer and a multi-band filter arranged into a 16×10 time-frequency grid. One can change the level of each step or each band independently as well as setting 4 predefined levels to each time-frequency cell. |
| PWNED! By: atomic_afro |
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 Hulo is an LFO-controlled filter effect.
There's two stereo-modes: one where both channels are sweeped by the same filter & one where each has it's own.
The LFO rate can be dialed in manually or synchronized with the tempo of your track. |
| PWNED! By: blatanville |
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 Imperfection is an effect plugin to put some lofi back into your pristine 64bit audio. Who wants hi fidelity reproduction when you can reduce the quality, take out some of that bottom end, add a smear of saturation and bring your noise floor back up. Hmmm, perfectly imperfect.
features
· 4 simple controls to take any lingering perfection away
· Reduce audio quality to add some gritty texture
· Filter out the low frequencies for some tinny speaker action
· Pile on the dirt to give some lovely imperfect distortion
· Raise your noise floor for some hum and fizz |
| PWNED! By: blatanville |
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 A direct replacement for Turnstile but brought up to date. Isol8Tor can be used to remove vocals from tracks, bring out the vocals from tracks and some downright weird and wonderful filter and timebase effects. As per its predecessor the effect is based on a combination of timebase and phase cancellation effects so results will be determined by the source material. |
| PWNED! By: MarsHottentot |
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Kaotica is a 12db/octave band pass filter modulated by a *Fractal* LFO.
The key of the effect is the Mu parameter, it's the seed for the fractal shape, for each value of Mu you got a different LFO waveform: sometimes close to a random behaviour, other times performing cyclic patterns. Each value leads to a unique shape.
You can set the LFO rate in Hz and the Hardness of the LFO waveform: smooth or hard jumps. |
| PWNED! By: blatanville |
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 A simple filter plugin featuring:
# One Two Pole Multimode Filter (-12dB/oct).
# Adjustable frequency, resonance (Q) and saturation drive.
# Selection of Lowpass, Highpass, Bandpass or Bandstop output.
# Two One Pole filters (LP, HP, -6dB/oct) with adjustable frequency.
# Filter series: In -> Two pole -> One pole -> One pole -> Out.
# Filters can be turned on or off (bypassed). |
| PWNED! By: blatanville, MIDIManNI, Ezmyrelda |
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 "keFIR" is a VST, zero latency, mono FIR filter based on impulse responses loaded from wave files. Filter length can be adjusted to maximum of 8K taps.
It has a "mix" knob for mixing input with output, "gain" knob for setting output volume level, "length" knob for setting filter length (you can also set the length by clicking right mouse button on impulse response). Adjusting filter length will linearly affect CPU usage, more taps used require more CPU power. User can optimize it by choosing proper filter length, for example some amp cabinet impulse responses have long tail of 'almost zero' coefficients which can be shortened without audible difference, to save some extra CPU cycles.
The plug requires at least Pentium 3 (it's highly optimized with SSE code) and Windows OS. |
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 side chain filter |
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 This is an emulation of the classic analog stereo filterbank.
It has five different filtermodes, triangle LFO synced to it's
internal pulse clock and an envelope follower with sidechain
operation mode. |
| PWNED! By: blatanville |
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 Array of 88 comb filters tuned using a .TUN microtuning file with feedback path. Is sensitive to MIDI input, with channels 1 and 3-16 activating their corresponding filters and channel 2 controlling the tuning of the feedback path. |
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 When you just have to have four filters being modulated by a total of twelve LFOs, you need Minion!
It's got balls, you see. Four of them, pinging and swinging their way around an innovative XYZ pad that's used to control the plug-in and to give visual feedback. And for each ball, there's an effect module, and each of those can produce one of a variety of filter effects, including several filter/distortion combinations. Minion also comes with numerous presets that demonstrate the range of audio warping possible.
OSX Version |
| PWNED! By: PTV, obstgegenrechz, swonderme, blatanville, iraklishonia, robojam, MIDIManNI, jodeum, BroderYon, shamanix, exi, bitsmart |
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 MoogoFilter is a stereo filter in the style of the famous Moog™-filter. In addition to the commcon manual controls it has a MIDI-controllable envelope. Give every synth plugin a Moog-filter by inserting this filter behind it!
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| PWNED! By: blatanville, snez |
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 VST Multipass Filter with LFO
Specifications:
- Multipass Filter for LP, HP, BP, Notch and Peaking
- LFO for Cutoff with a max. speed of 2Hz
- LFO for Resonance with a max. speed of 2Hz
- Master-Section with Clipping
- The LFO Depth set is calculated by the settings for Cutoff/Resonance and will have a maximum range of the value between the Cutoff/Resonance settings and the highest (if higher than 50%) or the lowest (if lower than 50%) value, so that the LFO spins around the set value for Cutoff/Resonance.
An Example: If is set a Cutoff value of 75% and the Cutoff LFO-depth is set to 100%, the LFO will spin the cutoff between 50% and 100% with the set value for LFO-speed. That means, that a set value for Cutoff/Resonance of 0% or 100% will not affect a LFO modulation.
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| PWNED! By: blatanville |
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 Mr. Green is a LowPass, HighPass, BandPass, Band Reject VST plugin. But instead of sliders it features a pair of sexy LCD looking X-Y pads. |
| PWNED! By: blatanville, bitsmart |
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 A comb filter effect |
| PWNED! By: blatanville, MarsHottentot |
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 Warm and clean sounding Resonance Filter Modul:
* 24 dB lowpass filter
* 12 dB bandpass/highpass filter
* MIDI learn (resonance, cutoff)
* parameter smoothing
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| PWNED! By: blatanville, nathel |
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 Murmur is a filter sequencer.
Features:
• 2 variable-cutoff resonant filters offering 12dB/octave lowpass, highpass, bandpass, and notch modes as well as a 24dB/octave lowpass mode.
• Syncs to host tempo, sequencing up to 8 steps of durations from 64th note to double whole note.
• Full control of filter frequency and resonance for each filter and sequence step.
• Compact and straightforward custom GUI. |
| PWNED! By: PTV, blatanville, MarsHottentot |
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 Simulates warped linear prediction coding of a signal, with some parameters added to further degrade and mangle the sound. Based on Aki Harma's research of warped linear prediction and warped filter designs. |
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 its a very simple plug. it uses 2 oscs at a high freq that modulate 2 4pole filters; 2 simple lfos for the filters and a channel crosser. |
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 Naive LPF is a resonant low/high-pass filter plug-in VST effect for Windows with a very convincing, classic sound. Naive LPF features a separate envelope follower for each of 6 channels and full automation, MIDI CC and even joystick control of all parameters.
This filter has been developed to closely model the way some real world analog circuits work, as opposed to some other techniques which, while well adapted to the math processing power of a computer, just don't seem to render the same organic feel. Not to say that those techniques aren't just as valid in some applications, but this particular effect was designed to provide "analog feel" at the expense of a bit more processing power. This was not intended to be a "clean" or "transparent" filter by any means. Really, at this point in its development it should be called the "Not-So-Naive LPF" because it's actually quite a sophisticated and useful implementation. |
| PWNED! By: blatanville, BroderYon, rebortbst, exi |
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 4 band resonator.
It consists of 4 parallels band-pass filters with resonance and spread.
4 LFO routable to Frequency and Spread via the digital matrix. |
| PWNED! By: blatanville |
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 This free plug in equips your sequencing environment with a fully programmable resonant filter. In short, you can send any of your audio tracks through this 'virtual analog' device to either create special effects or to simulate the behaviour of an analog 4-pole filter. It has the following specifications
The NorthPole PlugIn features
24dB/Octave (4 pole) Low Pass and Band Pass Filter
variable Cutoff + Resonance
Lowpass/Bandpass switchable
Envelope Follower with adjustable sensitivity
Envelope attack/release times
Adjustable distortion
Adjustable digital delay after filter with time, mix and feedback parameters |
| PWNED! By: PTV, blatanville, povov |
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 # High performance Notch Filter
# Centre Frequency and Width control |
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 A simple filter with LFO. |
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 Kaitop Paranoia 2
"BPM Sync input signal to be divided into 16 step in their transformation to switch filter to send Effect.
The Filter Deapth itself as LFO modulation to control the filtering transformation is very versatile.
Filter established by the Executive using moog type, Rez oscillation to be.
BPM Sync and the LFO"
...I'm sure it does something [shrug]... |
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| pattern (stepsequencer) controlled lp/bp-filter |
| PWNED! By: PTV |
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 # 3 banks of Peaking Filters - Resonators
# Master tune, fine tune
# Control Peaking Filter gain and width
# Pre \ Post Lowpass and Highpass filters |
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 pfilter is a variable state filter, triggered between 2 adjustable cut-off values by a tempo-sync'd probability-based step sequencer.
Choose from 8 to 16 steps per bar (measure) and the probability of triggering the cut-off (from 0% to 100%) for each step. As the track plays, the filter will loop through the steps and randomly trigger the cut-off depending on the probability assigned to each step.
You choose a lower and an upper cut-off value, the lower value is the default (unless the invert button is pressed) and the upper value is triggered according to the step sequencer
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| PWNED! By: obstgegenrechz, blatanville, rebortbst |
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 a filter effect with 4 bandpass filters, blurring, and delays |
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 a filter effect similar to the classic phase correction tool. |
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 just 4 band filter . |
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 philterkeyz is a resonant filter plugin with a difference.
Filter cutoff is controlled by midi notes and the cutoff frequency is calculated to match the frequency of each note. |
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 This little ditty is a switchable state variable/Moog filter. A MIDI input allows the cutoff to be altered by MIDI note information, including pitch and velocity. Also, there`s a clocked randomness function just for good measure. Useful for timbral decadence. |
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 * VST effect for Windows
* LowPass and HiPass Filter
* Dual Filter mode "a la Pioneer DJM"
* LFO syncable to host tempo
* LFO shape selector and LFO phase
* Pre and Post saturation
* No GUI, uses host interface
* Coded in C++
* Available with or without SSE2 Optimization
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| PWNED! By: blatanville |
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 The QR filter implements a lowpass if the frequency slider is on the left and a highpass if the slider is on the right. In between the audio is passed through. Additionally the Q can be changed. |
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 This plugin allows the user to perform a warped LP analysis of the input signal for each of four independent filter banks, whereafter the user can warp between all four filters using the XY touchpad control or use the 'filter warp' slider to change the warping in the filtering stage. The results tend towards bellish sounds or weird sleeping sounds reminiscent of the EMU Morpheus' filters. |
| PWNED! By: blatanville |
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 a straightforward filter plugin with an x/y pad for cutoff/res. 12 buttons let you choose the type. automation is a breeze, the interface boils down to 3 settings. |
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 Rezon8 is a 16 filter advanced Resonator bank VSTplugin.
The plugin was made for the KVR Developers Challenge 2006.
Features :
- 16 Stereo Bandpass filters.
- Volume, Panning and Resonance control per filter.
- Frequency range setting per filter.
- Global Frequency control, can be turned on / off per filter.
- Master Section : Dry / Wet control, to adjust howmuch effect you want.
- Master Section : Highpass, To filter out unwanted low frequenies.
- Master Section : Volume, adjust the main volume of the outgoing signal.
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| PWNED! By: blatanville |
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 RUBBERFILTER is a VST plug-in offering four classic filter modes to cut frequencies with up to 384 dB/Oct.
RUBBERFILTER removes frequencies in any audio signal, while providing an additional creative purpose.
RUBBERFILTER has a controllable filter order of 6 dB/Oct up to 384 dB/Oct. At high filter order levels, a psychoacoustic effect appears which is usually an unwanted sound of zips and sweeps, almost as if there is a tone present at the filter’s cut-off frequency. RUBBERFILTER allows you to use this psychoacoustic effect for creative purposes. |
| PWNED! By: PTV, Evelon, blatanville, MarsHottentot, tweed, T1M0N, pangrus, shamanix, snez |
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 Resonnant Filters Set :
- one input to sixteen outputs
- sixteen eight poles band-pass filters
- individual control of the frequency and the resonance
- grouped controls curves : ascending and descending, bell and random
- animation of the curves by four cyclic modulators |
| PWNED! By: dabex |
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 The Sanford Auto Filter represents a classic auto filter. An auto filter uses an envelope follower to track the dynamics of your playing. It uses these dynamics to modulate the filter's cutoff frequency. The effect is much like a "wah-wah" pedal only instead of you controlling the filter manually, the auto filter takes care of modulating the filter for you. The harder/louder you play a note, the more the filter opens up. As the note fades, the filter slowly closes. This effects adds an element of expression to your playing.
The Sanford Auto Filter gives all of the features you'd expect in an auto filter and much more. An LFO is provided as a modulation source in addition to the envelope follower. Also, the modulation wheel, expression pedal, and channel pressure can be used as modulation sources allowing you to directly control filter modulation. Two modulation sources can be used at the same time creating rich and deep sounds.
Key Features:
Three filter types: Lowpass, Highpass, and Bandpass.
Two modulation sources can be used at the same time.
Envelope follower can have negative polarity to create an "ow" effect.
The LFO can be synchronized to the tempo.
The LFO has a spread mode that enhances a stereo effect.
Several MIDI controllers can be used as modulation sources. |
| PWNED! By: blatanville |
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 sfilter creates a stepped filtered sequence, to create gating, sweeps or rhythmic modulation of filter cut-off. It uses a variable state filter, varying between 2 adjustable cut-off values according to a tempo-sync'd step sequencer. An LFO can also modulate the filter for extra movement
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- resonant variable filter, LP, HP, BP and notch
- filter cut-off varies between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn |
| PWNED! By: obstgegenrechz, blatanville |
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 This is a dual filter bank with a ring modulator and distortion. This was created because my favorite filter plugin could only do ring modulation with one of the two filters, and I wanted to be able to have ring mod AND two filters. More distortion seemed like a good idea too. For modulation, there are 2 LFOs and 2 step sequencers, plus the combiner module as seen in the noisebots. "TADF" stands for Total Audio Destruction Filter. |
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 Simple linear phase filters, available as high and lowpass. |
| PWNED! By: blatanville |
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 A brutally simple filter insert FX, with a morph function and flange section inspired by the z-scape line of filters. Future plans for this VST filter engine include a larger scale device similar to a full VSTi of z-scape [of reaktor fame].
there are mousover hints for each control. there is midi learn for hardware control of all onscreen elements. |
| PWNED! By: blatanville, aymat, gomademascar |
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 Are you laptop a DJ? Do you love the filters on the Pioneer DJM-800 mixer? Then this plugin is for you! Single Knob Filter, as the name implies, is a low/high-pass filter controlled by a single knob. Besides the obvious economy in knob assignment real-estate (come on, not everyone has a Drehbank!), it’s perfect for filtersweeps that make everybody on the floor put their hands in the air… you know, like they just don’t care. |
| PWNED! By: blatanville |
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 a spectral filter |
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 This plug contains 64 narrow notch filters controlled by midi. By default no filters are active. When a note-on is received a group of notch filters corresponding to the harmonic content of the note is started.
In special circumstances this plug allows you to remove or attenuate specific instruments from a mix while leaving the other virtually untouched. |
| PWNED! By: blatanville |
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 A simple MIDI controllable filter with 4 filter types - low pass, hi pass, band pass and band reject. Also features an lfo that can be used to modulate the cutoff and a wet/dry mix setting. |
| PWNED! By: blatanville, nathel, arkmabat |
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 Stepcomb is a stereo comb filter vst effect. The frequency of the comb filter is controlled by a step sequencer with pitch and octave.There is also a standard SV filter before the comb to control the sounds (which can sometimes be very brutal). There is a cv sequencer which can effect the comb pitch and/or the filter cutoff. A noise oscilator can be used to excite the signal and an HPF (postfilter) can remove unwanted bass frequencies.When processing a stereo track, the right comb can be offset by octaves or semitones. This plugin uses some parts from the forthcoming synth "groove modulator" such as the step sequencer, shuffle clock and the randomiser. The step sequencer section is designed to be transferable between projects so if youre synth needs a sequencer, grab the source files to stepcomb and copy and paste. |
| PWNED! By: blatanville |
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| SubFilterII has a selectable cutoff slope of -12, -24 or -36dB/Octave and a cutoff frequency variable from 10Hz to 1KHz. The filter is extremely useful for removing thumps, bumps and low frequency rumble noise from your audio. The filter has 2 controls: cutoff slope and cutoff frequency. The passband is flat (Butterworth filter) and has unity gain. |
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 SVF2 is a 2-pole State Variable Filter (12 dB/oct) which gives the user the option of using low pass, band pass, band reject, high pass, or peak filter output for each stereo channel. More importantly, the user can morph between filter types as he sees fit, and modify the order in which each filter type morphs into the next. This can result in some truly dramatic phase effects, making the SVF2 a powerful creative tool. |
| PWNED! By: blatanville |
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 Sweepie is a simple filter effect it rotates 2 filters |
| PWNED! By: blatanville |
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 TAL-Filter is a multi-mode filter device, including a High Pass, Band Pass and Low Pass filter.
High Pass, Band Pass, Low Pass filter modes.
4 Pole, 2 x oversampled non linear filter.
LFO sync mode (full sync to host).
LFO waveforms: Sinus, Triangle, Saw, Square, S&H, Noise.
Envelope follower.
Input drive. |
| PWNED! By: BroderYon, exi, snez |
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 Tom BandPass is a simple band pass filter. Sometimes you just want a simple, highly efficient filter that sounds good. If that's what you want, then this is your filter.
All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. They are written in C++ to be highly efficient. |
| PWNED! By: tgersic |
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 Tom HiPass is a simple resonant hipass filter. Sometimes you just want a simple, highly efficient filter that sounds good. If that's what you want, then this is your filter.
All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. They are written in C++ to be highly efficient. |
| PWNED! By: tgersic |
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 Tom LowPass is a simple resonant low pass filter. Sometimes you just want a simple, highly efficient filter that sounds good. If that's what you want, then this is your filter.
All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. They are written in C++ to be highly efficient. |
| PWNED! By: tgersic |
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 Tom Notch is a simple notch (band reject) filter. Sometimes you just want a simple, highly efficient filter that sounds good. If that's what you want, then this is your filter.
All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. They are written in C++ to be highly efficient. |
| PWNED! By: tgersic |
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 VowelFilter/VowelSynth is a collaboration
between SmartElectronix and Tobybear:
a plugin (synth and effect) for creating
vowel-like formant-filtered sounds. |
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 This VST-plugin is an 8-band filterbank with adjustable volume and frequency for each band, a bandwidth control for all bands and a bypass switch.
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| PWNED! By: blatanville |
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 Wurr Audio Filtertüte is a 2 band, full parametric, Hi-shelf, Lo-shelf, Eq filter with internal 4-time oversampling and speaker protection |
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