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A recent forum post by blatanville:
ah, well, just a thought...good luck finding it!
Read More... |
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 Vintage Style Compressor - Free Edition |
| PWNED! By: snez |
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 JB Barricade is a simple yet effective brick wall limiter. The gain ride curve is very smooth and its time derivative is continuous, to ensure minimum distortion and aliasing artefacts. The drive knob adjusts the signal level before entering the limiter.
A variable saturation knob provides continuous morphing between the behavior of a classical limiter (zero softclipping) and a classical (soft)clipper (100% softclipping).
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| PWNED! By: blatanville, tweed, blackshadow, West, Moseph, dede123, BroderYon, duckett, shamanix, synthgeek |
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 Experimental subbass extender plugin (based on a frequency divider and a low band compressor). |
| PWNED! By: blatanville |
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 Vintage style saturation/bass expander unit,
presented as VST effect. We think this plugin is specially good to add warmth and saturation to drums
and basses, and with vocal tracks that need a little punch. It uses very little CPU, and includes 8 factory presets. |
| PWNED! By: blatanville, pattonfreak1, martygras |
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 This dynamic processor manages audio transients.
Turning the central button on the sweet side, decreases the transients amplitude. On the bitter side, the transients amplitude is magnified. Bitter-Sweet also features a control for the signal to be processed. When the main position is engaged, the process affects the stereo signal. If Center is engaged, only the M signal of the internal MS matrix is processed. If stereo is selected, only the S signal from the MS matrix is processed. As all Flux:: plug-ins it features 64 bit floating point processing, up to 8 channels and up to 8 FS (384 KHz). Center and Stereo Mode are only available in stereo (2 channels) processing.
We hope you will enjoy this new toy and make your Mix Sweeter or Bitterer. |
| PWNED! By: blatanville, nojanoise, jeremiegr, blackshadow, West, T1M0N, el_oso, ayiE_gaLs, BroderYon, Samogit, shamanix, aldamajc, exi, snez |
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 BLOCKFISH is a versatile compressor with countless ways to shape the incoming audio.
Unlike many other digital compressors, BLOCKFISH has 'soul'. It likes to bite, but it can be tamed easily once you've learned how to use its potential. |
| PWNED! By: tgersic, arke, obstgegenrechz, swonderme, blatanville, gambazi, robojam, MarsHottentot, MIDIManNI, blackshadow, ethnix73, West, T1M0N, itilbury, martygras, Moseph, OscarMeat, besanane, BroderYon, synthgeek, exi, flynsk, snez, unlike |
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 boost is a dual-band, parallel compression effect that enhances your audio by boosting the lows and highs whilst still letting some of the original signal through to get a nice blend. Increase the gain to get more compression, then tweak the low and high band to suit the sound you want. The boost knob increases the mix of compressed audio with the dry signal.
boost is a very simplified version of bathtub, which is a fully featured and flexible compressor / limiter / maximizer plugin. |
| PWNED! By: blatanville, Hangman85, brand0 |
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 JB BroadcastProcessor is a free multi-band dynamics processor (comprising automatic gain control, gate, compressor and limiter), combined with sub-band 'stereo width' processing. |
| PWNED! By: blatanville, blackshadow, West, martygras, BroderYon |
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 BuzComp GranComp3 is a Multiband Classic Hard Compressor/Limiter. |
| PWNED! By: robojam, blackshadow, snez |
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 BuzMaxi3 is a Brickwall Limiter / Transparent Level Maximizer for mastering, mixing, and recording. |
| PWNED! By: tgersic, PTV, nojanoise, robojam, tweed, Clipz, blackshadow, ethnix73, Moseph, three, pangrus, duckett, prepboyswizz, exi, Norse |
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 BuzzRizer is a 25-Band Mastering Multiband Processor that works on the Mid/Side channels rather than L/R. Its parameters are controlled
by a small neural network in order to provide an abstract and half-automated parameterset to the user. It also features a limiter with
basic functionality of the Trifex PhatBuzz plugin.
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| PWNED! By: blatanville, nojanoise, West, martygras, Moseph |
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 Multi Band Compressor |
| PWNED! By: tgersic, blackshadow, West |
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 a compressor.
simple but effective |
| PWNED! By: itilbury |
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 CLAS (Compressive Loudness Audio Shaping) is a tool that provides both progressive phase compensation for bass frequencies, and psychoacoustic bass and/or treble enhancement. We use CLAS most often when listening to track edits on the master channel, purely for our pleasure.
For a free version of the plug you need to send a note/request to -> info@refined-audiometrics.com |
| PWNED! By: PTV, BroderYon, synthgeek |
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 Classic Compressor is a classic analog style VST Compressor Plugin with a lot of warmth and punch. Special designed to use on individual Instruments and Vocal, but also useable on your final mixes. |
| PWNED! By: , swonderme, blatanville, pattonfreak1, robojam, brotha chinese, MIDIManNI, blackshadow, West, martygras, Auan, Moseph, exi, snez |
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 The Classic Master Limiter VST plugin is specially designed to boost the overall level of your final mixes, but is also highly useable on very dynamic instruments. With just one control on the front panel operation is as simple as it gets; just turn the Threshold down and hear how your mixes gets louder and louder. Very high compression ratios can be obtained without changing the balance of the mix. |
| PWNED! By: , tgersic, arke, blatanville, robojam, MarsHottentot, brotha chinese, MIDIManNI, blackshadow, West, blazemc, martygras, Auan, Moseph, pangrus, OscarMeat, duckett, exi, elvisqueen, snez |
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 A standard single band compressor.
Features include :
- hard-knee type compression with threshold over -60 - 0 dBFS range and ratios between 1:1 and 10:1
- envelope follower parameters : attack and release of 0- 250 ms
- postgain of -6 to 12 dBFS
- easy GUI with input peak level, gain reduction and output peak level meters
- zero-latency processing |
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 Compressor by Reborn Labs |
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 Compressive is made up of two professional quality audio compressors written in a combination of C++ and assembly for maximum CPU efficiency.
Compressive Pro is an external side chain vintage analogue modeled RMS compressor. The external side contains a 3-band EQ and mid/side controls to allow complete control of audio dynamics.
Compressive Lite uses the same algorithms as Compressive Pro but has a reduced feature for minimum CPU usage. |
| PWNED! By: , West, rebortbst |
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 Compressor is a plugIn for the reduction of the dynamics of an input signal. Compressors achieve this goal by analyzing the amplitude envelope of the incoming signal and reducing the gain when the signal exceeds a certain threshold. This reduces the amplitude of the peaks in the audio signal. Now the signal can be amplified further without clipping/distortion. So at the end of the day we have a signal in which the loud parts stay as they are and the quiet parts are amplified. This increases the overall loudness of the signal. |
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 Courvoisier is a single-band universal dynamics processor with adaptive attack and release algorithms optimized for complex program material (mixes and submixes). Courvoisier uses free-form curves drawn over the histogram of incoming audio material (as opposed to traditional ratio and threshold parameters) to determine the transfer function of the processing.
Courvoisier is available for free.
Features:
- Histogram representation (sliding-window statistics)
of incoming program material and the resulting gain change
on which the transfer function can be drawn
- Free-form upward and downward compression and/or expansion
- Spline interpolated control curves
- All performance-critical code optimized in assembly
(utilizing SSE2 flow instructions)
- Two different adaptive attack algorithms (program dependent)
- Adaptive release algorithm (program dependent, scalable)
- Additional user defined adaptive release behavior
- Side chain filtering (low and high pass)
- MS operation
(with support for different transfer curves for Mid and Side channels)
- Stereo operation (adjustable stereo link)
- Dry mix option for parallel processing
- Peak, RMS and Hybrid level detection
- Very low harmonic distortion
(THD during normal operation is below -105 dB FS)
- Lookahead processing for minimizing distortion
with extremely fast attack settings
- Complex mode (oversampling with a twist) |
| PWNED! By: blatanville |
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 Fast Limiter in VST Plug-in format.
This very first version made in 1998 lets you use the first brickwall limitation algorithm of the C-Limiter for free. |
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 D2 is an all-rounder compressor with an easy to use interface. It demonstrates the compressor algorithms of its big brothers, bathtub and sidearm while keeping the interface simple for quickly dialling in some common settings. D2 can be heavy or subtle, razor quick or gentle, clean or dirty and is happy as an insert or buss compressor.
features
· Stereo compressor with gain reduction meter
· True stereo, each channel is compressed independently
· Threshold down to –40dB
· Ratio 1.5:1 to infinity
· Attack from 0-30 ms
· Release from 5ms to 2.4s
· Make-up gain to 20dB
· VU meter shows actual and peak levels of gain reduction
· Dirt option gives added distortion and enhancement
· All control parameters named and mapped to midi CC |
| PWNED! By: blatanville, snez |
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 Very simple, mastering program. The parametrical equalizer, which is included in the software, is a delaying function, a space perception improver and a limiter as well. Furthermore the new function is the maximazation, which helps to refine the possible over-controlled signs. With this latter function the included limiter can be quite competitive with the other, payable versions. |
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 Density - smooth and versatile dynamics processing.
at a glance:
• smooth and versatile stereo dynamics processing
• flexible audio encoding and routing
• designed for glueing all things together
• few controls, flexible work
features:
• zero latency processing
• natural, smooth and unobtrusive coherent compression
• modelled transformer circuit
• modern and program dependend release curve
• seemless MS compression and blending
• phase consistent internal mixing
• special 'phat' mode for reduced compression artifacts
• sidechain filtering
• completely SSE optimized |
| PWNED! By: tgersic, obstgegenrechz, blatanville, pattonfreak1, gambazi, robojam, blackshadow, West, Moseph, BroderYon, flynsk, snez |
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 Perform ultra smooth 2-bus compression.
Master difficult to handle audio dynamics.
Manage mid/side dynamic processing in a true two channel layout.
Apply dynamic range adjustments easily.
Plug-in specification:
Zero latency processing, no phase alterations.
Performance crucial parts are written in assembler.
Completely SSE optimized. |
| PWNED! By: blatanville, pattonfreak1, West, Moseph, besanane, BroderYon, snez |
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 DepthCharge is a compressor plug-in with analogue VU meters and a dimpled metal background. Designed specifically for tracking though it can be used in the master bus chain.
7AIR primarily uses it for drums, guitar and vocals, though it can be used for pretty much anything you throw at it, curbing some high frequencies on synths and pads for example. |
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 All-round digital audio compressor with:
Treshold from -90 to -0.1 dB
Ratio from 0.000099:1 to INF:1
Attack from 0 to 1000 ms
Hold from 0 to 250 ms
Release from 0 to 2500 ms
RMS Size from 0 (PEAK) to 1000 ms
Ouput from -INF to 18.06180 dB
Support for all samplerates and both feedforward and feedback procession as well as sidechain input capabilities.
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 DualComp is a compressor utility plugin with a unique and warm sound, which is logarithmically calculated. In addition, DualComp has sidechaining capabilities, allowing an input signal (such as a kick drum) to "punch" through. |
| PWNED! By: itilbury |
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 This unit takes one audio input and attenuates its volume based on the current level of the second input, then the attenuated signal from the first input is passed to the output. The louder the second input is, the more the volume of the first input is reduced. When loud signals are fed to the second input (sidechain or SC) this creates the 'ducking' effect, a noticeable dip in volume. |
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 Designed for both Digidesign® Pro Tools® systems and Avid® picture systems, Dynamics III is a professional plug-in suite that includes a Compressor/Limiter, Expander/Gate, and De-Esser, each in an easy-to-use interface.
Dynamics III offers simple ways to apply dynamics processing in mono, stereo, or in a full range of surround formats.* It also integrates easily with control surfaces and consoles, including the VENUE live sound environment and the ICON integrated console environment, giving you direct, hand-on control of functions. Best of all, Dynamics III is offered for free to all Pro Tools and Avid system users as part of the Digidesign DigiRack™ plug-in collection. |
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 Simplicity for vocals.
Dynamic mono vocal compressor/limiter.
Three bands equalizer.
Autogain and Pre-Limiter.
Three EQ models.
Independed Low-Mid-Hicut filters.
Vocal Doubler effect.
Pre in/Post out gain.
In/out/reduction meters. |
| PWNED! By: blatanville, MarsHottentot, snez |
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 The famous Parallel Compression (NewYork) effect in one plugin.
# Effect mix dial.
# Volume dial.
# Special Motown EQ effect for vocals + boost.
# Soft/hard selector.
# Global bypass.
# Stereo and mono versions.
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| PWNED! By: blatanville, rebortbst, snez |
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 EezySqueeze 2 has made compression even easier. V2 is an effective compressor unit that can be added to independent tracks or your master track.
Features:
•Extremely easy to use compressor plugin.
•Controls for Attack, Release, Threshold, Ratio, Gain.
•Regular updates. |
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 endorphin dual-band stereo compressor
Dynamics processors are essential when recording, mixing and editing music. But when it comes to compressing an entire sum signal, a lot of digital compressors turn out to be unusable, many of them were made to process single-track signals only.
On complex sources they tend to produce a 'pumping' sound, distort or just make your music lifeless. There are manufacturers telling you 'this is the only compressor you'll ever need'. Don't believe them. Sound signals are far too complex to be handled by a single device.
Your music deserves care and attention to details. This applies especially to the post-mixdown stage, often referred to as 'mastering'. |
| PWNED! By: arke, obstgegenrechz, blatanville, blackshadow, BroderYon, synthgeek, UtEl |
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 GComp is a combined compressor and limiter for controlling the dynamics of an audio signal.
GComp tracks both the peak and the RMS level of the incoming signal. The level considered for compression can be either of these, or a mix of both. The mix is controlled by the RMS/Peak parameter.
The compression curve is defined by the Threshold, Ratio, Limit and Softness parameters, and is displayed on the GUI.
The GUI also features a wave-display that shows the compression and limiting thresholds relative to the incoming audio. |
| PWNED! By: tgersic, blatanville, MIDIManNI, West, Moseph, synthgeek |
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 GComp2 is a compressor featuring a band-pass filter and a gate.
The compression is controlled with the Attack, Release and Compress parameters. The Compress parameter controls the compression curve, replacing the usual threshold and ratio parameters.
The level of the signal going into the compressor also affects the result. The Gain parameter controls the input gain. The Output parameter can be used to control the output level.
The gate is actually an expander, which turns the signal down when it drops below a given threshold. The Gate parameter sets that threshold. |
| PWNED! By: blatanville, MIDIManNI, West, Moseph |
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 W1 Limiter is a clone of Waves L1, with identical output.
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| PWNED! By: PTV, obstgegenrechz, blatanville, pattonfreak1, martygras, BroderYon |
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 GMax is a maximizing limiter. It is designed to boost the level of the signal without letting the peaks exceed a given maximum.
The Gain parameter sets the desired boost in volume. The signal will be boosted by this amount before going into the limiter.
The limiter reduces the signal level as necessary to keep it below that specified by the Ceiling parameter. The Release parameter sets the time taken for the limiter to recover after turning the volume down.
A meter is displayed on the GUI showing the gain reduction applied by the limiter. The resolution of this meter is 1dB per bar. |
| PWNED! By: blatanville, MIDIManNI, blazemc |
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 GMulti is a three-band compressor with stereo enhancement and advanced visual feedback.
The input signal is split at user-defined frequencies into three bands. Each of these bands can be compressed independently and have its stereo width altered before being mixed back together. |
| PWNED! By: tgersic, obstgegenrechz, blatanville, robojam, MIDIManNI, West |
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With this VST plugin it is easy to create a house-typical extreme compression. Just load it as an insert-effect and connect it to the baseline via aux-send of the percussion track. The beat of the basedrum will trigger a strong gain.
This effect is the contrary to a midi gate. |
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 jsComp is a simple, free, peak-based compressor with an additional integrated brickwall limiter (zero-latency, therefore suitable for live use).
Both attack and release are adjustable down to 0ms (attack 0-300ms, release 0-1500ms), so even the compressor itself can act as a brickwall limiter (or clipper!). But the envelope filter also offers a "hold"-knob, adjustable from 0 to 30ms which can be used to reduce low-frequency distortion to an absolute minimum. Ratio is adjustable from 1:1 to infinity:1 (limiting).
To increase flexibility, the compressor offers three stereo link modes (min,max,off/dual mono) and sidechaining capability, as well as a mix knob for NY-Compression. |
| PWNED! By: BroderYon, snez |
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 Inspired by popular analogue limiters of the past, this Leveling Amplifier is ideal for mastering or controlling the dynamic range of a track, it's response to peaks is very fast with a slow realease for minimum distortion even when driven hard. |
| PWNED! By: blatanville, brotha chinese, snez |
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 A multiband compressor based on the above lightweight compressor and a set of linkwitz-riley filters. |
| PWNED! By: blatanville |
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 A soft knee compressor optimized for low CPU usage.
While it is not that difficult to build a hard knee compressor with a low CPU usage, it is quite difficult to do so for a soft knee, especially if you want to control the margin around the treshold precisely while maintaining a consistent curve. The compressor also features a simple limit circuit to avoid clipping.
On a 2 GHz core2 duo I was able to run > 75 instances without a problem. |
| PWNED! By: blatanville, besanane, snez |
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 A soft knee limiter optimized for low CPU usage. |
| PWNED! By: blatanville |
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 Limiter 1 is a peak limiter with variable attack and release.
When saturation occurs with high attack and/or release settings,
it gives a sound reminiscent of analog style saturation. |
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 Limo is a limiter plug with auto makeup gain. |
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 In general, an aural exciter amplifies odd or even (in this case even) harmonics in a given source. This nonlinear process can create a wide array of effects which can vary from that of recording in a hot room, to severely overloaded tape and anywhere in between. |
| PWNED! By: itilbury |
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 Compressor with individual algorithm.
requires pluggo runtime. |
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 A limiter/maximizer.
requires Pluggo runtime. |
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 MCompressor provides standard compression with volume maximization and has adjustable compression shape, which gives you power to set custom smoothing or even interesting sound effects.
Standard and custom compression shape - using user shapes you can easily create various dynamic effects such as expansion, gate or even some extraordinary shapes for rhytmization...
Actual source level indication inside the shape graph - you always know, what dynamic value you can actually expect on the input and output.
Signal maximization - compressors actually lower the signal above treshold. MCompressor can compensate the reduction to ensure, that if the source has reached 0dB, result will too. This is especially useful for mastering, since you want to maximize loudness and use the entire bit resolution.
Hard, linear and smooth knee with adjustable size
Standard general parameters - input gain, attack and release...
Fully automatable (except for the custom shape graph).
Global preset management - using a title button you can save your settings, which are shared on the computer, so you can easily access them in another songs. |
| PWNED! By: blatanville, snez |
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 MDSP Compessor is a simple and effective compressor with classic controls auto gain compensation and preamp to overdrive it. |
| PWNED! By: blatanville, itilbury |
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| Single band compressor with a very transparent sound, due to responding with varying speed as appropriate for the input frequency content. Use it when you want to avoid excessive pumping. |
| PWNED! By: itilbury |
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 Modern Amplifier can make 2007's Super Loudness and Super Punch. |
| PWNED! By: Rahsim, snez |
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 A plugin to add warmth/fat/analogish feel to your sound. |
| PWNED! By: nathel, snez |
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 Limiting Amplifier, Vintage Edition. |
| PWNED! By: martygras, snez |
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 A compressor |
| PWNED! By: Jhopf124, martygras, snez |
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 DBME 160 is a warmth compressor/Limiter, with same of Modern Analoger's technique. |
| PWNED! By: Jhopf124, martygras, snez |
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 A limiter plugin. |
| PWNED! By: martygras, snez |
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 A valve compressor, Vintage Edition. |
| PWNED! By: mcheshire, martygras, snez |
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 Modern variable limiter compressor - Vintage Edition. |
| PWNED! By: martygras, snez |
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 Multi-Band Compressor with independent external sidechain capability.
Key Features:
- Phase/Time aligned 3 Band divider.
- Feed-Forward compression
- Detection Filters & Drive
- Key listen
- Side-Chain
- Musical |
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 VST psychoacoustic compressor
Conventional compressors are based on peak or rms-level estimation to compute their time-variant gain or attenuation. This property of most compressors often causes undesirable intermodulation distortion and pumping/breathing artefacts.
JB PC-2 features a 'psycho-acoustic relevance' mode. Instead of using a peak or rms-level estimation, this mode employes a perceptual loudness model to compute the loudness of the input signal. This perceptual loudness model is combined with advanced attack and release stages that model peripheral adaptation of the human auditory nerve. The result is a very transparent compression characteristic, even with very short attack and release times.
On the other hand, the simple, classic compression behavior can be engaged too by simply switching off the complex loudness model. |
| PWNED! By: blatanville, blackshadow, West, Moseph, besanane, BroderYon, shamanix |
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 A mastering-plugin for enhancing bass frequencies after limiting-stage without clipping. |
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 Have you ever wanted a mastering compresssor that was dead-easy to use? A compressor that just made things louder without having to worry about the best Ratio, Attack, and Release settings for a specific task? A compressor that didn't over-compress attack transients, robbing your track of all the excitement of explosive hits? A compressor that was downright freaky looking?
Well, Pressure is the compressor for you. Using a technique called upward compression, Pressure increases the level of quiet portions in a mix without reducing the level of attack transients like a traditional compressor. There are just 3 parameters: Amount of compression, look-ahead, and gain control. it couldn't be easier. |
| PWNED! By: tgersic, Jhopf124, blazemc |
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 The same compressor as found on the ShapeShifter multi-effect plug-in. Features quick and easy to use controls for fast setup, but still capable of a range of sounds. |
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 A preview version of some of the plug-ins that are a part of REAPER, but in standalone form.
ReaGate: a very configurable gate with wet/dry controls, lookahead (on hosts that support PDC), hysteresis, hold, noise generator, MIDI event sending (on hosts that support it), built-in filtering sidechain as well as supporting sidechain inputs, and more.
ReaComp: a compressor that has a lot of controls (wet/dry/pre-comp/sidechain/knee) Also has a program dependent auto-release mode..
ReaFir: a FFT-based EQ/dynamics processor/noise removal/analysis plug-in. ReaFir can do a lot of types of processing, from standard linear FIR-based EQ, to noise signature detection and removal to per-band compression and gating.
Details:
ReaComp
* Ultra-configurable compressor
* Soft knee support
* Sidechain filters, sidechain inputs
* Feedback compression mode
* Program dependent auto-release mode
* Variable RMS size
* Oversampling antialias modes (with optional limiting)
* Optional make-up gain
* Optional lookahead
* Wet/dry mix
* Low CPU use
* Useful metering
ReaXcomp
* Unlimited band compressor
* Great metering per band
* Fantastic sounding filters
* Solo current band mode
* Tons of controls per band (ratio, threshold, knee, attack, release, makeup, program dependent release, feedback detector, RMS size)
* Adjusting bands in graph is easy (modifiers to change ratio, gain, etc).
ReaDelay
* Multi-tap delay, no practical limit on tap count
* Up to 10 second delay per tap
* Tap lengths can be in time (s/ms) or quarter notes
* Feedback, LPF/HPF, resolution reduction per tap
* Stereo width per tap
* Volume/pan per tap
ReaEQ
* Unlimited band IIR based equalizer
* Support for any number of many types of filters (shelfs, bands, LPF, HPF, notch, bandpass, allpass)
* Frequency response and phase response display
* Display of approximate note+octave for frequencies
* Per-band bypass control
* Full-view of graph optional for precise editing
* Mouse modifiers/mousewheel usable for editing bandwidth of points in graph
ReaFIR
* FFT based dynamics processor (requires host plug-in delay compensation)
* Supports FFT sizes of 128-32768.
* Useful in/out frequency response display
* Supports defining response curves both using any number of points, or freehand mouse
* EQ - can be used as a linear phase mastering EQ, or as a super-effective surgical EQ
* Compressor - can compress at a fixed ratio with a per-band threshold
* Gate - can gate with per-band threshold
* Subtract - can build noise profiles and subtract noise from the signal
ReaGate
* Ultra-configurable gate
* Sidechain filters, sidechain input
* Lookahead for pre-open
* Hold control
* Hysteresis control
* Variable RMS size
* Can send MIDI events on gate open/close
* Wet/dry mix, noise mix (can add noise when gate is open)
ReaStream
* Supports streaming from host to host of audio and/or MIDI over a LAN segment
* Supports streaming from different host software on each end
* Supports UDP broadcast for streaming one to many (if local network can keep up) |
| PWNED! By: tgersic, PTV, obstgegenrechz, blatanville, pattonfreak1, fmlss, MIDIManNI, blackshadow, West, T1M0N, martygras, Moseph, aasprorok, BroderYon, shamanix, j_knight6818, synthgeek, flynsk, snez, kickdrum13, jorjee |
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 Analog style modelled signal designer.
at a glance:
• introduces spatial imaging as well as sonic resolution improvements to program material
• simple yet powerful solo signal alteration: transient shaping, imaging and depth balancing
• subtle analog style signal colouration
• easy emphasizing of signal attack phases
• creates "in the face" sounds as well as subtle stereo enhancements
• stereo field operation maintains mono
compatibility
• signal saturation at high peak levels
• excellent for drum group improvements
• tightens lowend
WARNING:
Lower your listening volume while operating the plugin to avoid hearing damage or damage of speakers or any other equipment. |
| PWNED! By: blatanville, pattonfreak1, robojam, blackshadow, West, BroderYon, snez |
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 Rough Rider is a modern compressor with a bit of "vintage" style bite and a uniquely warm sound. Perfect for adding compression effects to your drum buss, it also sounds great with synth bass, clean guitar, and backing vocals. Definitely not an all-purpose compressor, Rough Rider is at its best when used to add pump to rhythmic tracks. Of course, you can use it however you'd like. The Compressor Police aren't gonna come to your house and give you a citation. Slap it on a track and crank some knobs.
The front panel layout is done the same as many hardware compressors, so it will be immediately obvious how to use it. A brief overview of the controls:
Ratio: The ratio knob is logarithmic in operation. Completely anti-clockwise is 1:1, and completely clockwise is 1:1000. The 12 o'clock position is 1:10, so everything to the left of center is single digits, and everything to the right is "atom bomb squish," essentially.
Attack and Release: We left off the actual time values, so you're gonna have to use your ears, like the he-men did it in times of myth.
Meter: That honking big dial in the middle of the UI is the gain reduction meter. It basically shows how much compression is occurring.
Sensitivity: usually called "threshold" now, but we think "sensitivity" always made more sense. Turn to the right, you get more compression, essentially. Turn it all the way to the right, and you've got a distortion box, the sound of which is tuned by Ratio, Attack, and Release.
Makeup: 30 dB of gain to compensate for the attenuation caused by the compressor.
Active: From the front panel, this is simply an off/on switch, but if you automate it, strange things happen...
MIDI Learn: Like all of our products, the VST version has MIDI Learn. Download any manual from the current product line for an explanation of how this works, as it is common among all our VST products.
Rough Rider is available as a VST effect for Windows, and an AU or VST for OSX. The OSX versions are Universal Binaries, and require OSX
10.4.0 or later.
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| PWNED! By: PTV, blatanville, aymat, West, jazzzzz, synthgeek, arkmabat, snez |
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 A Simple Compressor!
RPE mode is RP custom envelope setting in dealing with compressor.
It adapt with TEMPO in project (the 1st compressor did this, never before).
It is for mono and stereo track.
Free for digital recording world.
TQ,RP! |
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 Side Chain Compressor |
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 The SideKick is a sidechain emulator for the VST platform. |
| PWNED! By: shamanix |
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 hard knee compressor with virtual sidechain input |
| PWNED! By: aldamajc, arkmabat |
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 This plug-in is the embodi-ment of the Betabugs design ethos. One knob! Auto gain make-up is present, and there is an always-on smooth brick-wall limiter at the end, just to make sure you never get any nasty digital clipping. The knob simultaneously controls threshold and gain, so that the more you crank it, the more squashed your signal gets. |
| PWNED! By: blatanville |
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 Sonnix is a soft knee compressor plugin that can really add that special something to your tracks.
Features:
•Soft knee compressor module.
•Controls for ratio, attack, release, threshold, hold, RMS, knee, gain.
•Glossy GUI.
•Very low CPU usage. |
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 The LMC-1 plug-in is a faithful recreation of the Listen Mic Compressor from SSL's legendary "E" Series console. For the first time this unique compression algorithm is now available to users of Digital Audio Workstations.
Featuring the same stunning sound and dynamic response as the original unit, the plug-in is an essential addition to your effects arsenal. |
| PWNED! By: tgersic, blatanville, glissendorf, itilbury, Moseph, shamanix |
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 Stardust is a powerful plug-in for channel processing, or mastering. Stardust is composed with 4 processing stages: Bass Enhancer, Stereo Enhancer,
Multi-band Compressor, Wideband Compressor. Each stage has a VU meter or oscilloscope for monitoring purpose. |
| PWNED! By: blatanville, BroderYon |
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 A freeware auto leveler VST effect plugin (think expander/limiter with some special EQ enhancing).
Features
* Three selectable level-models
* Bypass function
* Gain slider
* Mono and stereo versions included
This plugin works on some mixes but does magic on vocals and instruments. |
| PWNED! By: blatanville |
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 Steady Pro Bundle is a collection of freeware auto leveler VST effect plugin (think expander/limiter with some special EQ enhancing).
* Four selectable Steady-models (Heavy, High, Normal, Soft)
* 4-bands Eq with on/off
* Output gain control
* Global Bypass
* LowCut function
* Att & Rel controls (except Heavy)
* Parabolic Saturation control with on/off
* Model dividers
* All major controls has a reset button
* I/O meters
* Mono, stereo and lite versions
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| PWNED! By: blatanville, snez |
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 Striptool V1 includes the following features :
- -24 to +24 dB Input Gain.
- Semi-param EQ (pre-compressor).
- "Post-Compressor EQ" switch.
- "SIDE-CH" button allowing the EQ signal to be routed to the control input of the compressor.
- Compressor with 3 preset knee-settings (Hard, Medium, Soft).
- Output Gain Long-Throw Fader from -48 to +48 dB.
- Input Level VU-meter.
- Gain reduction VU-meter.
- Output level VU-meter.
- Global level-display window ("DISPLAY METER" button). |
| PWNED! By: snez |
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 Here's a sweet sounding plug in, something that will wet your throat, get your fork and knife ready, and make your beats, pump, the EQ section is kinda awkward, but I think the tits will keep you feeling even more awkward. Hint: Turn down the bass eq and play with her compressor. |
| PWNED! By: blazemc |
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 Main features:
Dual band with adjustable cross-over frequency and mix of the two bands.
Adjustable look-ahead.
Ratio from 1:1 to 1:inf.
Attack and release times from 0.1ms to 10 seconds.
Threshold from 0 to -50dB.
Adjustable stereo linking.
Adjustable Auto Gain, can compensate for sustain and/or peaks during attack phase.
Adjustable amount of soft clipping applied, adjustable clipping curve.
VCA (feed-forward) and Opto (feedback) style compression.
Both up and down compression and expansion.
Option to force the low band to mono.
Adjustable Dry/Wet mix for "New York compression". |
| PWNED! By: tgersic, blatanville, MIDIManNI |
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 With T-SLEDGE, you can get even better results than any other
multi-band compressor for mastering or some else.
It is equipped with peak limiter, level maximizer and
4 compressors/expanders/limiters. And it is equipped with
2 kinds of dividing filter IIR/FIR. So, it also operates as a dynamics EQ.
(Needless to say, internal 64bit process & all samplerate support)
The core-compressor is just a mastering quality makes clear and
hi-quality sound for all dynamics process. Certainly T-SLEDGE has
many parameters and the operation of it is not easy,
but don't worry to use it, there are many useful presets
for many situations it will surely help your works! |
| PWNED! By: blackshadow, exi |
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 * transformer style signal saturation.
* smooth transient polishing and increased RMS leveling.
* transient aware signal saturation.
* switchable subbass enhancements.
* subtle and nice audio coloration enhancements.
* SSE and Assembler optimized sound engine.
* state-of-the-art digital signal processing.
* minimum latency processing.
* harmonic enhancements with low artefacts (aliasing).
* plugin integration is done with Synthmaker software.
* performance crucial parts are written in assembler.
* completely SSE optimized.
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| PWNED! By: PTV, blatanville, pattonfreak1, West, besanane, BroderYon, snez |
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 TesslaSE - modelling pleasant sounding 'electric effects' coming from transformer coupled tube circuits in a digital controlled fashion.
features:
• zero latency processing, low CPU usage
• harmonic enhancements without artefacts (aliasing)
• dynamic noise model
• proprietary signal processing and modelling algorithms implemented
• performance crucial parts are written in assembler, completely SSE optimized |
| PWNED! By: tgersic, obstgegenrechz, William Fetter, blatanville, pattonfreak1, robojam, blackshadow, West, BroderYon, flynsk, Norse |
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 Features:
Increase gain by limiting the signal with a "pumping/saturated" character depending on pressure/release settings.
Adjustable input gain upwards.
Adjustable pressure (a mix of attack/ratio)
Adjustable release1 , the over all release time
Adjustable release2 , controls the "overload" portion of release1 where fast envelope moves will be suppressed.
Adjustable output , to compensate gain changes with clip indicator.
Soft/Hard mode button, 'Soft' mode will polish the envelope curve to minimize artifacts that would be obvious on vocals ect (using more CPU)
Low Punch mode button, control an allpass filter centered around 200hz, allowing the transients to pass before the low end and
thus giving a feeling of more "clicky" or "punchy" sound (IF a low end is present that is).
Stereo Link mode button to preserve stereo field.
Stereo link quality button normal/HQ ,
'normal' will merge the left/right input signals and only process the audio on one channel. (using less CPU)
'HQ' will process both left/right channels and then join the outgoing envelope curves. (using more CPU)
The two Stereo mode buttons will be greyed out when processing a mono signal. (since they do not provide any function at that point)
Gain Reduction led indicator.
Small indicator around the Gain Reduction led indicator showing the output peak level.
Plugin Latency: 0 samples
supported samplerates: 44.1khz - 192khz
What to expect:
When raising the input knob the volume will slowly drop ca 6-8db in the beginning due to the fact that the limiter stage is
using ca 7db soft limiting where this is to prevent overshoots on the output to get a kind of "one knob" action.
(using less than ca 50-60% pressure can produce overshoots anyway)
Minimum pressure will require compensation on the output knob since the attack/ratio will let through more of the signal. |
| PWNED! By: obstgegenrechz, blatanville, pattonfreak1, robojam, tweed, blackshadow, BroderYon, exi, snez |
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 A new leveling amplifier by TBT.
Features:
'Reduction Knob' - Set the amount of reduction (compression) by lowering the threshold starting from 0db and working downwards.
'Gain Knob' - Set the amount of makeup gain to compensate the loss of volume due to compression.
'Comp/Limit Switch' - Allow you to choose between slower (Comp) and faster (Limit) Reaction.
'Boost Switch' - will cause the reduction stage to "dig a bit deeper".
'Noise Gate' - When you apply reduction with the noise gate on it will boost the reduction at low signal levels to prevent the noise floor from being raised together with the makeup gain.
'Stereo Link' - will link the output reduction envelopes to prevent the stereo field from drifing.
'Reduction meter' - will show the amount of gain reduction applied.
'clip led' - will light up if the signal go above 0 db. |
| PWNED! By: PTV, obstgegenrechz, blatanville, pattonfreak1, robojam, blackshadow, exi, snez |
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 TLs Pocket Limiter is a Transparent Brickwall Limiting with 0 db stop
Variable knee from 0% to 100% to keep limiting distortion at a minimum
"IQ" mode to get a more "intelligent" release from the knee with program emphasis
Low latency for live performance use (40 samples at 44.1khz = ca 1ms latency)
Stereo link to preserve stereo field
Supported samplerates: 44.1khz - 192khz
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| PWNED! By: tgersic, blatanville, pattonfreak1, robojam, blackshadow, martygras, BroderYon, exi, snez |
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 Something inbetween a Limiter/compressor to shape them peaks....
Features:
Adjustable input gain between -16db to 16db . input signal should stay below 0db.
Adjustable Attack from 0% to 100 %.
Adjustable Release from 0% to 100 %.
Adjustable Driver from 0% to 100 %.
Boost mode to use a "warmer" algorithm.
2X mode to produce more agressive results.
10 presets to get started.
Plugin Latency: 0 samples
Supported samplerates: 44.1khz - 192khz |
| PWNED! By: PTV, obstgegenrechz, pattonfreak1, robojam, blackshadow, Moseph, exi, snez |
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 Unify includes a 6 bands post-compression coloration tool which acts like an EQ but on fixed frequencies with limited gain range. |
| PWNED! By: snez |
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The Vanilla Compressor is a general-purpose, stereo compressor plugin, with optional sidechain input. It can be used on individual instruments, across aux busses, or even as a mastering effect. Its fine-tuned, “smooth as buttah” sidechain and specialized release shapes make it equally at home with vocals, drums, guitars and full mixes. Use it sparingly for subtle, transparent “tightening”; or drive it hard and fast for deep, “balls-to-the-walls” pumping. Obviously, there isn’t anything revolutionary about the Vanilla Compressor. This compressor isn’t about bells and whistles; it’s about getting the right sound, quickly and easily. Go ahead–try a little Vanilla!
The Vanilla Compressor is currently in the alpha stage, and is free to download and evaluate.
eatures:
* Threshold: -40dB to 0dB in 0.1dB increments.
* Ratio: 1:1 (no compression) to 20:1 (limiting).
* Soft-knee: 0dB (linear/"hard knee") to 12dB (nonlinear/"soft knee") in 0.5dB steps.
* Max Make-up: Maximizes the output gain to 0dB, such that it is proportional to the threshold and ratio parameters.
* Compressor Output: -40dB to +40dB in 0.1dB increments.
* Attack.
* Release.
* Release Shape: Smooth, Pump, ARC-1 & ARC-2 (Auto Release Control).
* Key Input (for sidechain).
* Detection: Peak and RMS.
* SideChain Filter: Let the compressor react to certain frequencies, while ignoring others. Off, Low, High and Band settings.
* Frequency: Cutoff frequency for the sidechain filter (60Hz to 6kHz).
* Listen: Listen to the sidechain (control) signal at the output of the filter, before it is rectified/averaged.
* Mix: Wet/Dry mix.
* Output: -40dB to +40dB in 0.1dB increments.
* Limiter. |
| PWNED! By: tweed, blackshadow |
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 An easy to use plugin for mastering.
It combines peak limiter and level maximizer.
Only 4 parameters. |
| PWNED! By: blackshadow, Moseph |
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 The BetabugsAudio edition of George Yohng's W1 takes the same spectacular limiting engine and gives it a new interface. The W1 interface follows the BetabugsAudio tradition of simplicity and elegance, while providing an inspiring appearance that matches the plug-in's form to its function. |
| PWNED! By: blatanville, snez |
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 Analog style exciter for mastering purposes,
inspired on the BBE Maximizer models. Its warm sound and simplicity of using makes this exciter very suitable to add some subtle brightness in the high frequencies, and also make the lows more dense. Apart from the mastering stage, you'll find that it can also make a good work on individual tracks. |
| PWNED! By: tgersic, blatanville, MarsHottentot, blackshadow, clash, snez |
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 Softknee compressor with build-in stereo enhancer |
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 You Wa Shock ! is VST effect for brighten up and maximize any truck you hand him.
Use:
- There are two control: A/B/C/D selects the maximizing way, and Knob controls his amount of Shock ! |
| PWNED! By: tgersic, pattonfreak1, snez |
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